But there has always been one movie that I keep coming back to after all this time, a little gem of a movie called Tampopo.It was the late Juzo Itami's second movie, following his debut comedy Ososhiki (sometimes called The Funeral), and like many of the other movies throughout his career, Itami tackled an aspect of the peculiar social norms of Japan. In Tampopo's case, the broad subject matter was food. In the later years of his life, he would go on to raise the ire of the Yakuza with another one of his films in 1992 and he was rather unflinching when it came to rendering the obsessions, foibles and quirks of his native countrymen. And Tampopo is no different.
The main story concerns a small unsuccessful noodle restaurant run by the title character, a single mother with a preteen son, both of whom are suffering from some misfortune. A chance encounter with two truckers, who are like the heroes from a Western, changes that. They agree to help Tampopo turn her restaurant into a success by giving her lessons and enlisting the aid of people who are masters of the craft and through many humorous trials and tribulation, the story unfolds in the heartwarming ways you would expect. There are moments to cheer at, like when Tampopo's much bullied son finally turns the tables on those that victimized him and as a narrative, it has much to recommend it.
However, the real strength of the film rests in the vignettes that are interspersed throughout the movie, because while for the most part they don't connect to the main narrative (with one notable arc being an exception), they do reveal a wider panorama of the Japanese obsessions with food and manners. Some are surreal, some of sensual and some are just funny. To use an analogy, if the main story of Tampopo are the perfect noodles, then the other material is the best boiling hot broth and finest spices around, each of which complements the other exceedingly well. It is a movie you should check out if you have the opportunity.
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